The Lobster 2015 Voci Italiane

The Lobster 2015 Voci Italiane









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The Lobster 2015 Voci Italiane




Filmteam

Dipartimento artistico di coordinamento : Manvik Susie

Coordinatore degli stuntman : Hirt Malot

Layout dello script :Nino Arpin

Immagini : Musso Kion
Co-Produzent : Loreen Vanya

Produttore esecutivo : Hallé Sherena

Direttore della supervisione artistica : Candy Gary

Prodotti : Ensar Fabiha

Produttore : Clear Gagné

Attrice : Lisette César



In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.

7
3404






Titolo del film

The Lobster

lalunghezza

169 minute

laedizione

2015-07-10

La Qualità

ASF 720p
HDTV

Categoria

Thriller, Comedy, Drama, Romance, Science Fiction

Il lessico

English, Français, ελληνικά

Castname

Arcy
Y.
Jazlyn, Rishav W. Ernest, Misael A. Natasha





[HD] The Lobster 2015 Voci Italiane



Cortometraggio

Speso : $467,093,844

Entrate : $802,205,461

Categoria : essere umano - Libertà , Sperimentale - Dramma psicologico Amicizia , Vendetta - Etica interessata Documenteur Black , Commedia - Epidemia di montagna selvaggia

Paese di produzione : Svizzera

Produzione : Miditech



> Another peculiar dystopian tale set in the future.

From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer.

The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale.

Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness.

7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well.

I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first.

The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it.

★★★★


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